Laura Amy Schlitz

Clara disappears after a puppet show at her 12th birthday party.

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Newbery Medalist Laura Amy Schlitz brings her sorcery to a Victorian gothic thriller — an enthralling, darkly comic tale that would do Dickens proud. The master puppeteer, Gaspare Grisini, is so expert at manipulating his stringed puppets that they appear alive. Clara Wintermute, the only child of a wealthy doctor, is spellbound by Grisini’s act and invites him to entertain at her birthday party. Seeing his chance to make a fortune, Grisini accepts and makes a splendidly gaudy entrance with caravan, puppets, and his two orphaned assistants. Lizzie Rose and Parsefall are dazzled by the Wintermute home. Clara seems to have everything they lack — adoring parents, warmth, and plenty to eat. In fact, Clara’s life is shadowed by grief, guilt, and secrets. When Clara vanishes that night, suspicion of kidnapping falls upon the puppeteer and, by association, Lizzie Rose and Parsefall. As they seek to puzzle out Clara’s whereabouts, Lizzie and Parse uncover Grisini’s criminal past and wake up to his evil intentions. Fleeing London, they find themselves caught in a trap set by Grisini’s ancient rival, a witch with a deadly inheritance to shed before it’s too late. Newbery Medal winner Laura Amy Schlitz’s Victorian gothic is a rich banquet of dark comedy, scorching magic, and the brilliant and bewitching storytelling that is her trademark.

To escape her hardscrabble life, a farmgirl pursues work as a domestic for a Jewish family in 1910s Baltimore. (Ages 12 and up)

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Fourteen-year-old Joan Skraggs chronicles her life in a journal when she leaves her family's farm in Pennsylvania to work as a hired girl in Baltimore in the summer of 1911.

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Ever since the untimely death of her mother, 14 year-old Joan Skraggs has been desperately unhappy. Under the thumb of her cruel father and three sullen brothers, Joan lives like a servant on their farm just outside of Lancaster, forever cooking, cleaning, and attending to the many demands of the home. But she has little freedom, and less support from her family for her love of reading and blossoming interest in education. But when her father tells Joan she can't go to school anymore, it sets off a journey that will see her become first a runaway, then a hired girl on $6 a week, and finally her very own young woman. Set in America during the optimistic years before the First World War, and told through a series of journal entries, THE HIRED GIRL is the story of a young girl in search of Real Life and True Love. It takes in feminism and housework; money, religion, and social class; literature and education, romanticism and realism, first love and sexual yearnings, cats, hats, and bunions. And it's a comedy. Source: https://www.recordedbooks.com/title-details/9781490632247

“The fable is reminiscent of the finest adult-comeuppance collaborations of Roald Dahl and Quentin Blake, with the added bonus that the princess learns to speak for herself and the grown-ups learn to listen.” — School Library Journal (starred review)

Princess Cora is sick of boring lessons. She’s sick of running in circles around the dungeon gym. She’s sick, sick, sick of taking three baths a day. And her parents won’t let her have a dog. But when she writes to her fairy godmother for help, she doesn’t expect it to come in the form of a crocodile — a crocodile who does not behave properly. With perfectly paced dry comedy, children’s book luminaries Laura Amy Schlitz and Brian Floca send Princess Cora on a delightful outdoor adventure — climbing trees! getting dirty! having fun! — while her alter ego wreaks utter havoc inside the castle, obliging one pair of royal helicopter parents to reconsider their ways.

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“The fable is reminiscent of the finest adult-comeuppance collaborations of Roald Dahl and Quentin Blake, with the added bonus that the princess learns to speak for herself and the grown-ups learn to listen.” — School Library Journal (starred review) Princess Cora is sick of boring lessons. She’s sick of running in circles around the dungeon gym. She’s sick, sick, sick of taking three baths a day. And her parents won’t let her have a dog. But when she writes to her fairy godmother for help, she doesn’t expect it to come in the form of a crocodile — a crocodile who does not behave properly. With perfectly paced dry comedy, children’s book luminaries Laura Amy Schlitz and Brian Floca send Princess Cora on a delightful outdoor adventure — climbing trees! getting dirty! having fun! — while her alter ego wreaks utter havoc inside the castle, obliging one pair of royal helicopter parents to reconsider their ways.